“Well, the situation is pretty dire here. The guidance we offer all of our clients to commit their entire holdings into tinned provisions and hunting rifles.” That bit of shrewd guidance comes from the Brain Gremlin – a scientifically altered, talking, spectacled member of the oozy monster mob that overruns Manhattan’s high-tech Clamp Tower skyscraper in filmmaker Joe Dante’s madcap sequel Gremlins 2: The New Batch. On the surface, it’s merely an financial suggestion from one monster to another. But, oddly enough, it’s also surprisingly sturdy life guidance. Seriously, consider my perspective.
When things go bad, the most counterproductive action you can do is take things too seriously. The Brain Gremlin grasps this. In fact, the majority of the fang-bearing creatures that inhabit Dante’s chaotic 1990 feature (debateably his greatest) possess the same sly, self-aware comic sensibility regarding the indistinct border separating daily routine and unadulterated chaos. It’s a particular aspect of Gremlins 2: The New Batch that keeps me coming back – and the older I get, it’s the theme that echoes the loudest.
Understandably, my fondness for this movie didn’t start on such an philosophical plane. Growing up, we were limited to a few well-worn videocassettes at home. Part of that group were Gremlins and its second chapter, the latter housed in a bulky previously-rented case almost certainly acquired from an non-chain rental store and featuring growling monsters on its knackered cover. I was instantly captivated and these films quickly proceeded lodging themselves inside my small, malleable brain. After that point, they became an practically routine part of my youthful watching schedule.
Dante’s original typically gets all the accolades, thanks largely to its reputation as a moderately spooky festive favorite – and don’t get me wrong, I’ve watched Gremlins on countless occasions. Nevertheless, its follow-up rarely gets the same level of lofty appreciation, which feels unjust. As a kid, I’d never miss an opportunity to watch Gremlins 2. During long summer holidays, I’d lock myself inside and stick it on. When I got my own TV-VHS combo unit, it stayed in constant rotation in my bedroom. Over time, it ingrained itself in my mindset. If my parents detected this preoccupation, they appeared unbothered.
As I got older, new revelations rewarded multiple watches, heightening the enjoyment of watching small emerald creatures gleefully trash a New York high-rise. I learned the future-focused property magnate and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on future president Donald Trump, with his red-headed employee Marla (Haviland Morris) echoing his one-time partner Marla Maples. Luckily, Clamp has more heart than his real-life counterpart.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a genuine “Doomsday” video produced by the CNN boss Ted Turner as a contingency for the world really ended. I noticed how Dante made a special effort to film different iterations of a meta sequence where Gremlins hijack the exact movie you are viewing. An edit for movie houses, a separate one for tape and broadcast, each providing a grinning portion of meta pop-culture magic ahead of its time.
While it was makeup maestro Rick Baker’s gloriously nasty-looking creatures that drew my gaze as a child, this subsurface richness maintained my fascination as an adult. In time, I even conversed with Dante about it myself and he had no reservations informing me he made the movie with the specific aim of poking fun at those who loved its goofy-but-heartfelt predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he happily revealed. This cartoonish insubordination and resolve to not take his sequel as solemnly as his Warner Bros bosses clearly wanted him to, only made me love it even more.
When I experienced a sudden family bereavement not long ago, I was astonished to realize that, during my most profound sorrow, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Weird, right? Possibly not. The soothing reminiscence it furnished was needed to thin out my mind’s sadness sludge – but the insights it had given me as an adult were similarly beneficial.
Like Gremlins running amok in a genetics laboratory, there’s some things in life you just can’t control. Dante knows it. The Brain Gremlin knows it too. Sometimes, you have to follow their example: accept the turmoil, invest all your resources into preserved goods and firearms and try not to view the world with undue solemnity.
It’s powerful existential guidance from a highly unexpected fountain – and it’s why Gremlins 2: The New Batch will forever remain my feelgood film.
Professional poker player and coach with over a decade of experience, specializing in tournament strategy and mental game techniques.
John Robertson
John Robertson
John Robertson
John Robertson